Bodka

„Mojím úmyslom bolo vytvoriť divákom priestor pre subjektívny dojem. Vidím paralelu medzi vesmírnou harmóniou založenou na eliptickej obežnej dráhe a záľubou v používaní elipsovitých tvarov v Barokovej architektúre. V oboch prípadoch je harmónia definovaná ako jednota mnohosti, no už to nie je harmónia statická, vyjadrená jedným dokonalým geometrickým tvarom, ale harmónia dynamická. To, čo bolo predtým považované za odchýlku od dokonalého tvaru, sa po prvý krát začalo vnímať ako neoddeliteľná súčasť dokonalého tvaru alebo tvar tvarov, ktoré sa donekonečna môžu pretvárať jeden do druhého."

[Amos Funkenstein, The Dialectical Preparation of Scientific Revolutions. On the Role of Hypothetical Reasoning in the Emergence of Copernican Astronomy and Galilean Mechanics.]

Nokta

Turkey , 2010 , 01'25''

Director: Onur Senturk

Nokta (Dot) is an abstract film project which is an improvisation of organic pieces while considering themes like power, chance and luck. I also wanted a perspective that can be subjectified by viewers. 'I see some correspondence between the foundation of universal harmony on elliptical orbit and the predilection for the elliptic forms in Baroque architecture. In both cases harmony is still defined as unity within multiplicity, but it ceased to be static, namely, harmony expressed in one ideal geometrical form, and became so to speak dynamic. What was previously regarded as the deviation from the ideal form, was comprehended for the first time as an integral part of the form, or form of forms, which are capable of endless transitions one into another. ' [Amos Funkenstein, The Dialectical Preparation of Scientific Revolutions. On the Role of Hypothetical Reasoning in the Emergence of Copernican Astronomy and Galilean Mechanics.]

Autor: Réžia: Onur Senturk, Turecko